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St. Alban's

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Digital Image File Name 58099
Source Call Number STC 22274 Fo.2 no.07
Source Creator Shakespeare, William, 1564-1616.
Source Title Mr. VVilliam Shakespeares comedies, histories, and tragedies. : Published according to the true originall copies.
Image Details Henry VI, Part 3
Source Created or Published 1632
Physical Description p6r
Digital Image Type FSL collection
HAMNET CATALOG RECORD ___
Creator (Hamnet) Shakespeare, William, 1564-1616.
Uniform Title (Hamnet) Plays
Title (Hamnet) Mr. VVilliam Shakespeares comedies, histories, and tragedies. : Published according to the true originall copies.
Edition (Hamnet) The second impression.
Place of Creation or Publ. (Hamnet) London :
Publisher (Hamnet) Printed by Tho. Cotes, for Iohn Smethwick, and are to be sold at his shop in Saint Dunstans Church-yard,
Date of Creation or Publ. (Hamnet) 1632.
Physical Description (Hamnet) [20], 303, [1], 46, 49-100, [2], 69-232, 168, 269-419, [1] p. : 1 port. (engraving) ; 35 cm. (fol.)
Subject (Hamnet) Censored works.
Associated Name (Hamnet)
array
Lucas, John, associated name.
Luca, Joannes, signer.
St. Alban's College (Valladolid, Spain), former owner.
Cotes, Thomas, d. 1641, printer.
Sánchez, Guillermo, censor.
Inquisition. Spain (Valladolid), associated name.
Sankey, William, associated name.
Notes (Hamnet)
array
Port. (on t.p.) in state 3.
Imperfections affect text slightly on I1, Y2, d1, and h3,6 and very slightly on e4, f1, x2, and 2v4.
Signatures: [superscript pi]A⁶ *⁴ A-2B⁶ 2C² a-3c⁶ 3d⁴.
Colophon: Printed at London by Thomas Cotes, for John Smethwick, William Aspley, Richard Hawkins, Richard Meighen, and Robert Allot, 1632.
See Sidney Lee, "Shakespeare and the Inquisition: A Spanish Second Folio," in his, Elizabethan and Other Essays (1929), 184-95, first published 1922. Lee cites most of the obliterations and ms. additions although not always fully or accurately. (Full list of obliterations and ms. additions on file.) Lee names the censor as Guillén Sanchez rather than Guillermo Sánchez, misreading the censor's signature ("Gulielmum" for "Guilielmum"). Otherwise, the English Jesuit William Sankey has been nominated as the censor, but the hand of the censor's certificate is apparently Spanish.
Folger copy 7, formerly the property of St. Alban's College (the English College), Valladolid, Spain, bears (on t.p.) the certificate of a censor for the Inquisition ("Opus auctoritate Sancti officij permissum et expurgatum eadem auctoritate per Guilielmum Sanchæum e Socte Jesu") and marks of censorship. M. for M. (F1 recto-G6 verso) has been completely excised. Passages are obliterated in Temp. (A1 recto and A5 recto), Much Ado (K3 recto and K6 verso), LLL (L5 recto and verso, L6 recto, M2 recto, and M3 recto), Merch. (P2 recto), AYL (R3 verso), All's Well (V4 verso), John (a5 recto and verso and b5 recto), 1 Hen. IV (e4 verso), 1 Hen. VI (l6 recto), 2 Hen. VI (o1 recto and o2 recto), Hen. VIII (x2 verso, x4 recto, x5 recto, y3 recto, y5 verso, and y6 recto and verso), Troilus (2b4 recto), Ham. (2q4 recto), and Lear (2s6 verso). Earlier spine removed to curatorial file.
Some plays are designated "good" in an 18th-century hand in their caption, Merry Wives (D2 recto), Errors (H1 recto), Much Ado (I3 recto), and Merch. (04 recto), and likewise Cymb. is designated "rare" (3b1 recto). Passages in Macb. are marked by adjacent pencil strokes (2o4 recto, b27-29, and 2o5 verso, a49-53). Other ms. additions include the inscription "Collegii Sancti Albani Anglorum Vallisoleti" ([superscript pi]A3 recto) and the signature with rubric "Joannes Luca S.J." (*2 recto), possibly that of the English Jesuit John Lucas.
First issue, variant Ic1, with [superscript pi]A5 recto ("Effigies" page) in state Ib--as formulated by William B. Todd, "Issues and states of the Second Folio and Milton's epitaph on Shakespeare," Studies in bibliography, v. 5 (1952-53), p. 81-108.
Citations (Hamnet)
array
Greg, p. 1113-15[double dagger].
STC (2nd ed.) 22274e.
Folger Holdings Notes (Hamnet) RESTRICTED--SPECIAL PERMISSION REQUIRED
Call Number (Hamnet) STC 22274 Fo.2 no.07
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